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Wednesday, 13 May 2015

Kiss the Blarney Stone

The Stone of Eloquence

The Blarney Stone is a block of Carboniferous limestone built into the battlements of Blarney Castle, Blarney, about 8 kilometres (5 mi) from Cork, Ireland. According to legend, kissing the stone endows the kisser with the gift of the gab (great eloquence or skill at flattery). The stone was set into a tower of the castle in 1446. The castle is a popular tourist site in Ireland, attracting visitors from all over the world to kiss the stone and tour the castle and its gardens.
The word blarney has come to mean "clever, flattering, or coaxing talk". Irish politician John O'Connor Power defined it this way: "Blarney is something more than mere flattery. It is flattery sweetened by humour and flavoured by wit. Those who mix with Irish folk have many examples of it in their everyday experience.
An early story involves the goddess Cliodhna. Cormac Laidir McCarthy, the builder of Blarney Castle. Being involved in a lawsuit, appealed to ClĂ­odhna for her assistance. She told MacCarthy to kiss the first stone he found in the morning on his way to court, and he did so, with the result that he pleaded his case with great eloquence and won. Thus the Blarney Stone is said to impart "the ability to deceive without offending." MacCarthy then incorporated it into the parapet of the castle.


The proprietors of Blarney Castle list several other explanations of the origins of the stone on their website. Many of these suppose that the stone had previously been in Ireland, was taken to Scotland and then returned to Ireland in 1314. The stories listed include one suggesting that the stone was presented to Cormac McCarthy by Robert the Bruce in 1314 in recognition of his support in the Battle of Bannockburn. This legend holds that this was a piece of the Stone of Scone and was installed at McCarthy's castle of Blarney. Although colourful, this folk legend does not account for that fact that it supposes that the stone was removed from Scotland 18 years before Bannockburn, and modern analysis suggests that the stone is not related to the Stone of Scone.




World Of Mysteries

Monday, 11 May 2015

Green Children Of Woolpit

The legend of the green children of Woolpit concerns two children of unusual skin colour who reportedly appeared in the village of Woolpit in Suffolk, England, sometime in the 12th century, perhaps during the reign of King Stephen. The children, brother and sister, were of generally normal appearance except for the green colour of their skin. They spoke in an unknown language, and the only food they would eat was beans. Eventually they learned to eat other food and lost their green pallor, but the boy was sickly and died soon after he and his sister were baptised. The girl adjusted to her new life, but she was considered to be "rather loose and wanton in her conduct’’.  After she learned to speak English, the girl explained that she and her brother had come from St Martin's Land, an underground world inhabited by green people.
The only near-contemporary accounts are contained in William of Newburgh's Historia rerum Anglicarum and Ralph of Coggeshall's Chronicum Anglicanum, written in about 1189 and 1220 respectively. Between then and their rediscovery in the mid-19th century, the green children seem to surface only in a passing mention in William Camden's Britannia in 1586,  and in Bishop Francis Godwin's fantastical The Man in the Moone, in both of which William of Newburgh's account is cited.

Two approaches have dominated explanations of the story of the green children: that it is a folk tale describing an imaginary encounter with the inhabitants of another world, perhaps one beneath our feet or even extraterrestrial, or it is a garbled account of a historical event. The story was praised as an ideal fantasy by the English anarchist poet and critic Herbert Read in his English Prose Style, published in 1931. It provided the inspiration for his only novel, The Green Child, written in 1934.

Sources

The village of Woolpit is in the county of Suffolk, East Anglia, about 7 miles (11 km) east of the town of Bury St Edmunds. During the middle Ages it belonged to the Abbey of Bury St Edmunds, and was part of one of the most densely populated areas in rural England. Two writers, Ralph of Coggeshall (died c. 1226) and William of Newburgh (c. 1136–1198), reported on the sudden and unexplained arrival in the village of two green children during one summer in the 12th century. Ralph was the abbot of a Cistercian monastery at Coggeshall, about 26 miles (42 km) south of Woolpit. William was a canon at the Augustinian Newburgh Priory, far to the north in Yorkshire. William states that the account given in his Historia rerum Anglicarum (c. 1189) is based on "reports from a number of trustworthy sources"; Ralph's account in his Chronicum Anglicanum, written some time during the 1220s, incorporates information from Sir Richard de Calne of Wykes,[a] who reportedly gave the green children refuge in his manor, 6 miles (9.7 km) to the north of Woolpit. The accounts given by the two authors differ in some details.

Story

One day at harvest time, according to William of Newburgh during the reign of King Stephen (1135–1154),  the villagers of Woolpit discovered two children, a brother and sister, beside one of the wolf pits that gave the village its name. Their skin was green, they spoke an unknown language, and their clothing was unfamiliar. Ralph reports that the children were taken to the home of Richard de Calne. Ralph and William agree that the pair refused all food for several days until they came across some raw beans, which they consumed eagerly. The children gradually adapted to normal food and in time lost their green colour. The boy, who appeared to be the younger of the two, became sickly and died shortly after he and his sister were baptised.
After learning to speak English, the children – Ralph says just the surviving girl – explained that they came from a land where the sun never shone and the light was like twilight. William says the children called their home St Martin's Land; Ralph adds that everything there was green. According to William, the children were unable to account for their arrival in Woolpit; they had been herding their father's cattle when they heard a loud noise (according to William, the bells of Bury St Edmunds) and suddenly found themselves by the wolf pit where they were found. Ralph says that they had become lost when they followed the cattle into a cave and, after being guided by the sound of bells, eventually emerged into our land
According to Ralph, the girl was employed for many years as a servant in Richard de Calne's household, where she was considered to be "very wanton and impudent". William says that she eventually married a man from King's Lynn, about 40 miles (64 km) from Woolpit, where she was still living shortly before he wrote. Based on his research into Richard de Calne's family history, the astronomer and writer Duncan Lunan has concluded that the girl was given the name "Agnes" and that she married a royal official named Richard Barre.

Historical explanations

Many Flemish immigrants arrived in eastern England during the 12th century, and they were persecuted after Henry II became king in 1154; a large number of them were killed near Bury St Edmunds in 1173 at the Battle of Fornham fought between Henry II and Robert de Beaumont, 3rd Earl of Leicester. Paul Harris has suggested that the green children's Flemish parents perished during a period of civil strife and that the children may have come from the village of Fornham St Martin, slightly to the north of Bury St Edmunds, where a settlement of Flemish fullers existed at that time. They may have fled and ultimately wandered to Woolpit. Disoriented, bewildered, and dressed in unfamiliar Flemish clothes, the children would have presented a very strange spectacle to the Woolpit villagers.  The children's colour could be explained by green sickness, the result of a dietary deficiency.  Brian Haughton considers Harris's explanation to be plausible, and the one most widely accepted.  Although not without its difficulties. For instance, he suggests it is unlikely that an educated local man like Richard de Calne would not have recognised the language spoken by the children as being Flemish. Historian Derek Brewer's explanation is even more prosaic:
The likely core of the matter is that these very small children, herding or following flocks, strayed from their forest village, spoke little, and (in modern terms) did not know their own home address. They were probably suffering from chlorosis, a deficiency disease which gives the skin a greenish tint, hence the term "green sickness". With a better diet it disappears. 

Monday, 4 May 2015

Extraordinary People - Child Frozen In Time


Brooke Megan Greenberg

 (January 8, 1993 – October 24, 2013) was an American Syndrome X patient from Reisterstown, Baltimore County, Maryland, who remained physically and cognitively similar to a toddler, despite her increasing age. She was about 30 inches (76 cm) tall, weighed about 16 pounds (7.3 kg), and had an estimated mental age of nine months to one year. Brooke's doctors termed her condition "Syndrome X".

Birth and early life

Brooke was born on January 8, 1993, to Jewish parents Howard and Melanie Greenberg at Sinai Hospital in Baltimore, Maryland, one month before her due date, weighing just four pounds (1.8 kg). She was born with anterior hip dislocation, a condition that caused her legs to be swiveled upward toward her shoulders; it was corrected surgically. Otherwise, Brooke appeared to be a normal infant.
In her first six years, she went through a series of unexplained medical emergencies from which she recovered. She had seven perforated stomach ulcers. She also suffered a seizure. This was followed by what was later diagnosed as a stroke; weeks later, no damage was detected. At age five, Brooke had a mass in her brain that caused her to go into a deep sleep (after confirmation that it was not a coma) for 14 days. The doctors diagnosed the mass as a brain tumor. She later awoke, and physicians found no tumor present. Brooke's pediatrician, Dr. Lawrence Pakula, states that the source of her sudden illness remains a mystery.
During an interview on the talk show Katie, her father stated that between the ages of four and five, she stopped growing.

 Unexplained condition

Over several years, the Greenbergs visited many specialists, looking for an explanation for their daughter's strange condition, yet there was no diagnosis of any known genetic syndrome or chromosomal abnormality. In 2001, when Dateline documented Brooke, she was still the size of a six-month-old infant, weighing just 13 lb (5.9 kg) at 30 inches (76 cm) tall. The family still had no explanation. Brooke's mother Melanie said, "They [the specialists] just said she’ll catch up. Then we went to the nutritionist, the endocrinologist. We tried the growth hormone…” The growth hormone treatment had no effect. Howard, Brooke's father, said, "I mean, she did not put on an ounce, or she did not grow an inch... That’s when I knew there was a problem." After the growth hormone administration failed, the doctors, unable to diagnose a known condition, named her condition Syndrome X.
The Greenbergs made many visits to nearby Johns Hopkins Children's Center and even took Brooke to New York’s Mount Sinai Hospital, searching for information about their daughter’s condition. When geneticists sequenced Greenberg's DNA, they found that the genes associated with the premature aging diseases were normal, unlike the mutated versions in patients with Werner syndrome and progeria.

Medical studies

In 2006, Richard Walker, PhD in endocrine physiology of the University Of South Florida College Of Medicine said that Brooke's body was not developing as a coordinated unit but as independent parts that were out of synchronization. She was never diagnosed with any known genetic disorder or chromosomal abnormality that would help explain why. Her telomeres seemed to be shortening at the normal rate.
In 2009, Walker said, "There've been very minimal changes in Brooke's brain … Various parts of her body, rather than all being at the same stage, seem to be disconnected." Walker noted that Brooke's brain, for example, was not much more mature than that of a new-born infant. He estimated her mental age at around nine months to a year old. Brooke could make gestures and recognize sounds but could not speak. Her bones were like those of a ten-year-old, and she still had her baby teeth, which had an estimated developmental age of about eight years. Said Walker, "We think that Brooke's condition presents us with a unique opportunity to understand the process of aging. ‘’Different parts of her body are developing at different rates, as if they were not a unit but parts of separate organisms," Walker explained.  Dr. Walker did not say whether the genes responsible for development are the same ones responsible for aging.

Death

Brooke Greenberg died on October 24, 2013, at the Herman and Walter Samuelson Children's Hospital at Sinai Medical Center in Baltimore (the same hospital where she had been born in 1993). Her funeral service took place on October 27, 2013, and that same morning, she was buried at Baltimore Hebrew Cemetery - Berrymans Lane, in Reisterstown, Maryland. The cause of her death was bronchomalacia, a medical condition usually occurring in children, which results in difficulty breathing due to weak cartilage in the walls of the bronchial tubes.

Comparable cases

Dr. Walker believed that Brooke Greenberg's condition had resulted from a failure of central control genes. He identified two more people with similar developmental issues: Gabrielle Williams of Montana (born in 2004) and Nicky Freeman of Australia (born in 1970), a 44-year-old man who looks like a boy.
Gabrielle Williams's condition has since been determined to have been the result of a genetic mutation. Nicky Freeman has been diagnosed with deformity of the pituitary gland.
MarĂ­a Audenete do Nascimento, a brazilian woman who lives in the town of Caucaia near Fortaleza in the state of Ceará, Brazil, was once thought to have also been suffering from a condition similar to Greenberg's. She was reportedly born in May 1981 but stopped growing after nine months. She has been diagnosed with severe hypothyroidism.

             



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Crying Boy Painting

The Crying Boy 

A mass-produced print of a painting by Italian painter Bruno Amadio, also known as Giovanni Bragolin It was widely distributed from the 1950s onwards. There are numerous alternative versions, all portraits of tearful young boys or girls. In addition to being widely known, certain urban legend  attribute a "curse" to the painting.

Curse

On September 4, 1985, the British tabloid newspaper The Sun reported that a firefighter from Yorkshire was claiming that undamaged copies of the painting were frequently found amidst the ruins of burned houses. He stated that no firefighter would allow a copy of the painting into his own house. Over the next few months, The Sun and other tabloids ran several articles on house fires suffered by people who had owned the painting.
By the end of November, belief in the painting's curse was widespread enough that The Sun was organising mass bonfires of the paintings, sent in by readers.
Karl Pilkington has made reference to these events on The Ricky Gervais Show. Ricky Gervais dismissed the curse as "bollocks".


Steve Punt, a British writer and comedian, investigated the curse of the crying boy in a BBC radio Four production called Punt PI. Although the programme is comic in nature, Punt researched the history of the Crying Boy painting. The conclusion reached by the programme, following testing at the Building Research Establishment, is that the prints were treated with some varnish containing fire repellent, and that the string holding the painting to the wall would be the first to perish, resulting in the painting landing face down on the floor and thus being protected, although no explanation was given as to why no other paintings were turning up unscathed. The picture was also mentioned in an episode about curses in the TV series Weird or What?  in 2012.



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Saturday, 2 May 2015

Church of Bones

Sedlec Ossuary 


Small Roman Catholic chapel, located beneath the Cemetery Church of All Saints (Czech: HĹ™bitovnĂ­ kostel Všech SvatĂ˝ch) in Sedlec, a suburb of Kutna Hora in the Czech Republic. It is one of twelve World Heritage Sites in the Czech Republic. The ossuary is estimated to contain the skeletons of between 40,000 and 70,000 people, whose bones have in many cases been artistically arranged to form decorations and furnishings for the chapel. The ossuary is among the most visited tourist attractions of the Czech Republic, attracting over 200,000 visitors yearly. Four enormous bell-shaped mounds occupy the corners of the chapel. An enormous chandelier of bones, which contains at least one of every bone in the human body, hangs from the center of the nave with garlands of skulls draping the vault. Other works include piers and monstrances flanking the altar, a coat of arms of House of Schwarzenberg, and the signature of Rint, also executed in bone, on the wall near the entrance.

History

In 1278, Henry, the abbot of the Cistercian monastery in Sedlec, was sent to the Holy Land by King Otakar II of Bohemia. He returned with him a small amount of earth he had removed from Golgotha and sprinkled it over the abbey cemetery. The word of this pious act soon spread and the cemetery in Sedlec became a desirable burial site throughout Central Europe.
In the mid-14th century, during the Black Death, and after the Hussite Wars in the early 15th century, many thousands were buried in the abbey cemetery, so it had to be greatly enlarged.
Around 1400, a Gothic church was built in the center of the cemetery with a vaulted upper level and a lower chapel to be used as an ossuary for the mass graves unearthed during construction, or simply slated for demolition to make room for new burials.
After 1511, the task of exhuming skeletons and stacking their bones in the chapel was given to a half-blind monk of the order.
Between 1703 and 1710, a new entrance was constructed to support the front wall, which was leaning outward, and the upper chapel was rebuilt. This work, in the Czech Baroque style, was designed by Jan Santini Aichel.

In 1870, Frantisek Rint, a woodcarver, was employed by the Schwarzenberg family to put the bone heaps into order, yielding a macabre result.

In Media

In 1970, the centenary of Rint's contributions, Czech filmmaker Jan Ĺ vankmajer was commissioned to document the ossuary. The result was a 10 minute long frantic-cut film of skeletal images overdubbed with an actual tour-guide's neutral voice narration. This version was initially banned by the Czech Communist authorities for alleged subversion, and the soundtrack was replaced by a brief spoken introduction and a jazz arrangement by Zdenek Liska of the poem "Comment dessiner le portrait d'un oiseau" ("How to Draw the Portrait of a Bird") by Jacques PrĂ©vert. Since the Velvet Revolution, the original tour guide soundtrack has been made available.
In the documentary Long Way Round, Ewan McGregor and Charley Boorman stop to see this church. Dan Cruickshank also views the church in his Adventures in Architecture.
The ossuary is a major plot device in the John Connolly novel The Black Angel.
The ossuary is used as a location for the Dungeons & Dragons movie and the movie Blood & Chocolate.
The ossuary was also featured in Ripley's Believe it or Not and is described by Cara Seymour in the final scene of the film Adaptation.
The ossuary was also the influence for Dr. Satan's lair in the Rob Zombie film House of 1000 Corpses.

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Tuesday, 28 April 2015

Cursed Object

 Hope Diamond



According to the legend, a curse befell the large, blue diamond when it was plucked (i.e. stolen) from an idol in India - a curse that foretold bad luck and death not only for the owner of the diamond but for all who touched it.
Whether or not you believe in the curse, the Hope diamond has intrigued people for centuries. Its perfect quality, its large size, and its rare color make it strikingly unique and beautiful.

Add to this a varied history which includes being owned by King Louis XIV, stolen during the French Revolution, sold to earn money for gambling, worn to raise money for charity, and then finally donated to the Smithsonian Institution. The Hope diamond is truly unique.
Is there really a curse? Where has the Hope diamond been? Why was such a valuable gem donated to the Smithsonian?

Taken from the Forehead of an Idol

The legend is said to begin with a theft. Several centuries ago, a man named Tavernier made a trip to India. While there, he stole a large blue diamond from the forehead (or eye) of a statue of the Hindu goddess Sita. For this transgression, according to the legend, Tavernier was torn apart by wild dogs on a trip to Russia (after he had sold the diamond). This was the first horrible death attributed to the curse.
How much of this is true? In 1642 a man by the name of Jean Baptiste Tavernier, a French jeweler who traveled extensively, visited India and bought a 112 3/16 carat blue diamond. (This diamond was much larger than the present weight of the Hope diamond because the Hope has been cut down at least twice in the past three centuries.) The diamond is believed to have come from the Kollur mine in Golconda, India.
Tavernier continued to travel and arrived back in France in 1668, twenty-six years after he bought the large, blue diamond. French King Louis XIV, the "Sun King," ordered Tavernier presented at court. From Tavernier, Louis XIV bought the large, blue diamond as well as forty-four large diamonds and 1,122 smaller diamonds. Tavernier was made a noble and died at he age 84 in Russia (it is not known how he died).
According to Susanne Patch, author of Blue Mystery: The Story of the Hope Diamond, the shape of the diamond was unlikely to have been an eye (or on the forehead) of an idol.
In 1673, King Louis XIV decided to re-cut the diamond to enhance its brilliance (the previous cut had been to enhance size and not brilliance). The newly cut gem was 67 1/8 carats. Louis XIV officially named it the "Blue Diamond of the Crown" and would often wear the diamond on a long ribbon around his neck.
In 1749, Louis XIV's great-grandson, Louis XV, was king and ordered the crown jeweler to make a decoration for the Order of the Golden Fleece, using the blue diamond and the Cote de Bretagne (a large red spinel thought at the time to be a ruby). The resulting decoration was extremely ornate and large.

Stolen!


When Louis XV died, his grandson, Louis XVI, became king with Marie Antoinette as his queen. According to the legend, Marie Antoinette and Louis XVI were beheaded during the French Revolution because of the blue diamond's curse.
Considering that King Louis XIV and King Louis XV had both owned and worn the blue diamond a number of times and have not been set down in legend as tormented by the curse, it is difficult to say that all those who owned or touched the gem would suffer an ill fate. Though it is true that Marie Antoinette and Louis XVI were beheaded, it seems that it had much more to do with their extravagance and the French Revolution than a curse on the diamond. Plus, these two royals were certainly not the only ones beheaded during the Reign of Terror.
During the French Revolution, the crown jewels (including the blue diamond) were taken from the royal couple after they attempted to flee France in 1791. The jewels were placed in the Garde-Meuble but were not well guarded.
From September 12 to September 16, 1791, the Garde-Meuble was repeatedly robbed, without notice from officials until September 17. Though most of the crown jewels were soon recovered, the blue diamond was not.

Why is it called the "Hope diamond"?


There is some evidence that the blue diamond resurfaced in London by 1813 and was owned by a jeweler Daniel Eliason by 1823. No one is sure that the blue diamond in London was the same one stolen from the Garde-Meuble because the one in London was of a different cut. Yet, most people feel the rarity and perfectness of the French blue diamond and the blue diamond that appeared in London makes it likely that someone re-cut the French blue diamond in the hopes of hiding its origin. The blue diamond that surfaced in London was estimated at 44 carats.
There is some evidence that shows King George IV of England bought the blue diamond from Daniel Eliason and upon King George's death, the diamond was sold to pay off debts.

By 1939, possibly earlier, the blue diamond was in the possession of Henry Philip Hope, from whom the Hope diamond has taken its name.

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Monday, 27 April 2015

Japanese Farmer Creates World's First Heart-Shaped Watermelon




We’re sure you’ve heard of square watermelons from Japan, but how about heart-shaped ones? After many years of research, Hiroichi Kimura, a farmer from Kumamoto Prefecture, has finally done it! But it was no easy task shaping the originally round fruits into the symbol of love. Let’s take a closer look at the fruits of this farmer’s labor.




Trying to do something no one else has ever attempted 

 Mr. Kimura originally grew standard round watermelons. One day, a neighbor commented that it would be so interesting to see a watermelon in the shape of a heart. Mr. Kimura’s curiosity was ignited and from that moment on, he began researching how to make a heart-shaped watermelon.


Daily research and plenty of trial and error

 But this was no easy task. Every day, late into the night, Mr. Kimura read books and pamphlets about growing techniques, developed his heart-shaped mould, and researched the ideal cultivation method, soil conditions, atmospheric temperature, and moisture levels for his heart watermelons. It was a long process of trial and error.


Finally, success

At first, all of Mr. Kimura’s efforts ended in failure, but through it all, he never wanted to give up. Without getting discouraged, year after year he continued challenging himself to cultivate a heart-shaped watermelon until he finally succeeded.


Better than he could have imagined

 Mr. Kimura’s heart watermelons have a crunchy consistency that gives way to pleasantly sweet juices. Once you’ve gulped down the red flesh, you’re left with a mellow sweetness that lingers on the tongue. The taste was better than Mr. Kimura imagined.

A labor of love

The driving force behind Mr. Kimura’s work has always been as simple as it is heartwarming. “I want my customers to eat something delicious,” explains Mr. Kimura. Even now, after managing to cultivate the melon of his dreams, he continues to research and develop new, delicious varieties of watermelon. We are truly impressed by this farmer’s love and dedication to his trade.

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